THE THEORY OF THE Photographic PROCESS

https://ia600700.us.archive.org/11/items/TheTheoryOfThePhotographicProcess/aa012.pdf

MANUALofPHOTOGRAHY

A MANUAL

OF

PHOTOGRAPHY

FOUNDED ON

HARDWICK'S PHOTOGRAPHIC CHEMISTRY

https://archive.org/details/manualofphotogra00daws

PHOTOGRAPHYforSTUDENTSofPHYSICSandCHEMISTRY

https://archive.org/details/cu31924031218674

Les Pionniers de la Photographie

Um destaque para os muitos que ajudaram á evolução técnica da Fotografia, pela sua investigação e criação de diferentes Processos de obter uma Imagem Fotográfica.

100 traités de photographie de 1839 à 1899

par Belloc, Blanquart-Evrard, Daguerre, Gaudin, Le Gray, Lerebours et Secrétan, Liebert, Talbot, Marey, etc...

http://catalogue.gazette-drouot.com/pdf/AuctionArt/07032014/AuctionArt_07032014_bd.pdf?id=19105&cp=136

Lingua Franca: A Common Language for Conservators of Photographic Materials

http://data2.archives.ca/e/e448/e011188307.pdf

O Ambrótipo - Equipamentos e câmara escura

Uma apresentação elucidativa e muito completa do processo Ambrótipo.

http://www.alternativephotography.com/the-ambrotype-equipment-and-darkroom/

Dos melhores trabalhos que me foi dado ler. Simples mas completo. Que o encontro com este texto facilita o trabalho que pretendam desenvolver.

Historic Photographic Processes

Acknowledgments

 To THE MANY PEOPLE WHO HELPED WlTH THIS BOOK I GIVE MY SINCEHE APPRECIATION. I would like to thank Jan van der Schans, who instigated this project; Tad Crawford for easing the obstacles and helping to make this a reality; Kathleen Sheridan for her unwavering support, great line drawings, and for calmly doing a fine editing job in spite of frequent changes; Dr. W. Robert Nix, a true craftsman, for contributing his elegant guest chapter on the bromoil process; Monona Rosso( for her invaluable, detailed advice on chemical safety; Dr. Michael Ware for generously sharing his ideas and expertise; Klaus Pollmeier and Suzanne Pastor for making it possible to use a Drtikol image; Dr. Ingeborg Leyerzapffor her enthusiastic support; Harm Botman for generously allowing me the use of his densitometer; and, for believing, Larry Evans.  

https://ia801304.us.archive.org/18/items/aa100-HistoricPhotographicProcesses/Aa100-HistoricPhotographicProcesses.pdf

Photographic Sensitivity

Uma Obra que deve ser lida

Muita informação valiosa para quem pretenda o saber em torno da Fotografia em Sais de Prata

https://ia800606.us.archive.org/3/items/PhotographicSensitivity/Cox-PhotographicSensitivity.pdf

Morphological and chemical characterization of tintypes and ambrotypes

UNIVERSIDADE DE ÉVORA
ARCHMAT
(ERASMUS MUNDUS MASTER IN ARCHaeological MATerials Science)
Mestrado em Arqueologia e Ambiente

https://dspace.uevora.pt/rdpc/bitstream/10174/20594/1/Tese_LCosta_.pdf

A Technical Study of Five Ruby Ambrotypes

Lisa M. Duncan 
Winterthur/ University of Delaware Program in Art Conservation 
August 9, 2009

http://lisaduncanllc.com/wp-content/uploads/2010/01/duncan_technical_study_ambrotype1.pdf

RECUANDO NO TEMPO

https://ia802700.us.archive.org/31/items/chemistryoflight00vogerich/chemistryoflight00vogerich.pdf

AO ENCONTRO DE FORMULÁRIO FOTOGRÁFICO

https://scholarcommons.sc.edu/cgi/viewcontent.cgi?article=1085&context=senior_theses

http://photoformulary.homestead.com/Kit-Msds-Sheets.html?_=1447427382394

Uma visita a estes dois endereços, pode tornar-se estimulante, quanto ao encontro com a Fotograia não digital.